Tuesday, 30 August 2011

Is Land, The Story of a Floating Island : What Goes Up Must Come Down - Right?

 

Is Land was and still is a 7M floating island sculpture made to hover above the Cambridgeshire countryside at this years Secret Garden Party.  It danced in limbo like a shaggy Eden, being tossed by the wind or suspended silently. It was one of the core installations at the 2011 art-orientated festival.
It was about to make its final pilgrimage to Burning Man festival where it would float again in the Nevada desert, US. However it was cut down in its prime. Witnesses saw a small group of malicious festival goers, two in a dingy, cut all five tether ropes holding the helium structure at 3am on the Sunday morning of the Secret Garden festival allowing it to float away. The daring £9000, six month project by RCA graduates Sarah Cockings and Laurence Symonds simply floated off into the atmosphere, leaving them completely deflated.


 



The original Is Land was finished in the Brunel Goods Shed in Stroud, Gloucestershire with a large team of people contributing to its realisation. It took six months of maths, physics and creative DIY to get the huge structure aloft. Now with all of our knowledge and experience the same team are willing to take on the re-make and see it float state-side.






Will the Is Land be found? Or a new balloon be made?
Will the artists get to their dream to get to the Black Rock City in the Nevada Desert.
I hope so!
How can it be lost?


 It reminds me of my last Itchycoo painting which I painted last year. It's land floats in the sky within a sea. Of Island's whose mountains are of cake and sticky jam, as strawberries fall from the sky. WHY? Who knows.... What next, guess it's about time I get into Itchycoo no 4. (If you look at the far left hand side of the picture in the middle - The Island below the black and white spotty cat you can see an uncanny likeness.


Still Life Alive : Alexa Mead





Alexa Meade's art work is amazing as it pushes the boundaries of fine art and performance. She is a 24-year-old artist whose work lies at the intersection of painting, photography, performance, and installation. Rather than creating representational paintings on a flat canvas, Alexa Meade creates her representational paintings directly on top of the physical subjects that she is referencing. When photographed, the representational painting and the subject being referenced appear to be one and the same as the 3D space of her painted scenes becomes optically compressed into a 2D plane.


Transfixed

Julie

Jamie


Natura Morta


Sara

Self Portrait

Ann

Timmy

Transit
 
Bernie


Spectacle

Exchange


 Blueprint


Aligned

Mediation

Curated

Self Portrait

Double take

Split in Two 


I would love to see Alexa's work for real, it looks raw and real and somehow confusing. Eerie, as the art looks back at you.

Of her work Alexa says: 


In my current work, I construct and then photograph ephemeral installation sets that feature an assemblage of found objects and live models, which I have covered in layers of acrylic paint. I paint the surfaces of the human subjects, the material objects, and the architecture of the installations so as to collapse the subject, foreground, and background into one continuous plane. I present my ephemeral portrait/performances as both live, interactive installations as well as permanent photographic indices of these experiences.

By using paint as a mask that mimics the surface attributes of my source materials, I repurpose the common codes of painting and create a reciprocal self-referentiality in which the reference envelops its referent. The time-based portrait/performance installation is mediated through still photography, providing a record of the performative act in which the codes for representation/painting and indexicality/photography converge.



Monday, 29 August 2011

The Past Couple of Weeks in The Studio at The Arthouse Meath. End of August 2011


Backgrounds 


 Margret Mace
 Michael Gray, Sunflowers and a Poppy field


 Lyn Belcher: Abstract with painter decorator tools on top.
 Transfer of her own ink drawings to be rubbed off next week.







 Still Life with a cat sat on a chair

 A bird hiding underneath.


 The start of a new abstract group work

 Sarah January using carbon paper to sketch out another layer of flowers on top.
Her painting in progress below.

 Grace's sky and cut out of her aeroplanes below

 Seb's Boogie Nights..




 New cards ready to go....







 Never mind the quality feel the width.


 Peter Andrew's Naked Ladies.


 Cityscaping Grandstyle! 

 Drawing cars from the inside- out


 Still Life building the layers from the background to the shelves.



 A stereo to be painted on the shelf

Layering up abstract graffiti

 Now should it have stopped here?
There is a good contrast of movement texture and colour with  Laura Ostle's sunflowers.
Or do we try something different?
We tried something different - we used a screen and printed on top.


Not sure - maybe it has been over worked? 
Maybe it will get re-worked again. 
Another layer next week? 
We will put it away and see how we feel then. 

Earlier in the morning, a long way to go.


We used Michael Gray's picture as the colour was a perfect fit.
The picture was broken up and then ripped around the edges.


To screen print over or not?


It's of little white figures of The Beatles and other Rock Stars with their guitars.

This time it worked!

 Abstract: My Bike is getting Wet by Chris Hodding

 Lyn Belcher

 A photocopy of Sals Sunflower's with Helen Franks vase.

 Just been printed..... notebooks 

 and Santa's lost his Sat Nav


 Boxing up the cuffling sets: Two heads are better than One.

Peter Andrews

 Cityscaping Large
The details


Thursday afternoon class working hard.